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Netflix topples HBO in Emmy nominations, but ‘Game of Thrones’ still rules

LOS ANGELES (Reuters) – HBO’s (T.N) medieval fantasy sequence “Game of Thrones” led nominations for the Emmy Awards on Thursday that spanned satire to the supernatural, but streaming service Netflix (NFLX.O) knocked HBO off its 17-year pedestal because the community with probably the most nods.

A slew of first time Emmy contenders included Sandra Oh as the primary Asian-American lead comedy actress nominee for her position in quirky spy sequence “Killing Eve,” and Rachel Brosnahan’s 1950s housewife turned comic in “The Marvelous Mrs. Maisel.”

Female-led reveals and tales additionally did nicely as tv continued to cleared the path in reflecting social change, whereas the likes of Donald Glover, Tracee Ellis-Ross, Penelope Cruz, Antonio Banderas, Issa Rae, Regina King, and John Legend headed a racially various appearing line-up.

“Games of Thrones,” a worldwide hit, received 22 nods, together with for the highest prize of finest drama sequence. It was adopted by NBC’s CMSCA.O sketch present “Saturday Night Live” and HBO’s sci-fi sequence “Westworld” with 21 nominations every, and Hulu’s dystopian imaginative and prescient “The Handmaid’s Tale” with 20.

Just 5 years after the launch of its first authentic sequence, “House of Cards,” Netflix ended HBO’s 17-year streak as probably the most Emmy-nominated community.

Netflix gathered 112 nods for reveals that ranged from supernatural drama “Stranger Things” and British royal present “The Crown” to feminine wrestling comedy “GLOW,” new Western drama “Godless” and actuality makeover sequence “Queer Eye.”

HBO, which was not too long ago acquired by wi-fi service AT&T Inc, had 108 nominations, and famous in an announcement that it was the eighth 12 months it had gathered 100 nominations or extra. NBC reveals earned 78 nods.

Netflix campaigned closely for the Emmys, the very best honors in tv, and says it has budgeted $eight billion for programming in 2018. nL2N1T61QO

“Stranger Things” govt producer and director Shawn Levy stated the streaming service was a pleasure to work with.

“They follow our lead and they don’t make us live inside a box either creatively or financially, and that is almost unheard of among networks and movie studios,” Levy advised Reuters on Thursday.

The Emmy awards will likely be handed out in Los Angeles on Sept. 17 hosted by “Saturday Night Live” solid members Michael Che and Colin Jost.

“Game of Thrones” will compete for finest drama with final 12 months’s Emmy champion, Hulu’s “The Handmaid’s Tale”, which additionally received nods for actresses Elisabeth Moss, Alexis Bledel, Samira Wiley, Ann Dowd and Yvonne Strahovski.

Bruce Miller, govt producer of “The Handmaid’s Tale,” acknowledged that the present’s imaginative and prescient of a theocracy the place girls are handled as property was onerous to look at.

Slideshow (5 Images)

“You are principally writing a present about the best way you pray that the world received’t go, after which it begins going that means.

We sit round and pray for irrelevance,” Miller advised Reuters.

Other finest drama contenders embody “The Crown,” NBC’s household drama “This Is Us,” Cold War spy sequence “The Americans” on FX (FOXA.O) and “Westworld.”

“Game of Thrones” was out of the working in 2017 as a result of the present aired later than normal.

In the comedy classes, hip-hop themed FX present “Atlanta” is up in opposition to Amazon’s (AMZN.O) “The Marvelous Mrs. Maisel,” ABC’s (DIS.N) “black-ish,” “GLOW,” “Curb Your Enthusiasm,” quirky comedy “Barry”, tech comedy “Silicon Valley” and “Unbreakable Kimmy Schmidt.”

FX’s true crime dramatization “The Assassination of Gianni Versace” led the restricted sequence class with 18 nominations, together with a finest actor nod for Darren Criss who performs the killer of the homosexual Italian designer.

Creator Ryan Murphy stated it was a “heartbreaking story to tell, made more so by the fact that we continue as a culture to grapple with homophobia and shame and intolerance.”

Reporting by Jill Serjeant and Steve Gorman, Editing by Franklin Paul and Marguerita Choy

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